Christine Kanownik


The Donner Party

When they told me what I had 
to do to keep on living I promised 
to do it all eagerly gulping 
whatever was placed in 
front of me while

others faced the
wall and allowed for a dignified 
and painful death to enter
without hesitation I slashed
away at the newly dead 
let a type of night spill

organs cooked over
the fire even going so far 
as to rip a hole 
in my own flesh to better 
consume to house and contain

what sort of life
what sort of life 

cry the starving mothers
those delicious miserable women

Doomed dragon food

I am allowed to eat everything, all of you, as long as I
save the bones and pile them on your respective
skins after the meal.
-Ursula Andkjær Olsen


There are ways in which we are served to the machines
like Andromeda to Perseus 
an unwilling participant in a story
of medical triumph 
my own suffering, a single numeric
value in a poorly designed database
there is obviously a platter
draped in white fabric 
breast exposed, hands secured above my head
with admonishments to hold my breath and keep still
with threats of bodily harm
they tell me to always look up and to the right
where their god is, I assume
I am a portrait of penitence or rapture 
sexualized and radiated 
the others hide while the real work is done
behind heavy doors
my flesh increasingly raw
increasingly appealing to monsters
of all kinds
they ask to photograph my breath or proof
that I do breathe
and each day I expose my various flesh
open my chest cavity 
so my tender little lungs can 
tremble before that
hideous, invisible beam
to the camera that sighs and squeaks

“Lack of air”

Your thoughts are the smoke of grilling meat
-Kim Hyesoon


All the finest
most exquisite things
taste like heaven
and smell 
like
barnyards
the hot outside of the city
the return to the abandoned cabin
the sickly sweet but not sweet
the death but is it really death
the knowledge of death
the man living so long alone
suddenly next to you in the heat
no air circulating 
close and close and closer
that damp spot under the house
the poverty that will never allow
never move
never flee
the decay
the dissolution 
distended 
a month’s bed rest 
longer when you fall
lose what you’d hoped for
the smell of the end of hope
only washing the most sensitive and rank places
when you haven’t heard
from her in months
maybe more
you don’t know when last
you’ve heard
anything
the door opens
is forced open
air, the molecules
from one space suddenly
allowed to exchange places
the heavier molecules 
falling further
into the already soiled carpet
how many pets did she have
when was the last time you heard her voice
you don’t like this line of questioning
but no one is asking 
except for you
every crime 
is a crime that you
allowed to happen 
every death
perhaps

something to forget

“Dinner menu”

I always find myself cupping my hands 
before something that will die in front of me 
and become part of my body.
-Kim Hyesoon


Some mothers would 
do that—in times of extreme 
lack—some would serve their 
own body to keep their children 
from starvation

I have not known her
but I can imagine her

what greedy filthy children you are
eating your own mother
chewing on fingers and toes
raw and burnt 

soon there will be almost 
nothing left 
no hands left to cook for you
no fingers to hold the knife
and, you, a miserable baby
will just cry and cry and cry
as mommy hacks herself up for you

I—like a mother—empty myself
every evening on to the dinner table
I lay prone and inviting 
unable to think of any 
more appropriate sacrifice

It was then that I became afraid
of my flesh


people were saying phrases to me 
words that contained threats 
they did not think I had suffered
enough so they strapped 
me to a bench and even the
residents there were ashamed
of my nakedness and pitied me
viciously “I’ve been here 
for years,” one allowed
she showed me what she thought
good and bad was, but I
couldn’t tell the difference 
(I was no initiate 
to the esoteric knowledge 
of the heart in peril)
the wires they attached to me
created a tangle 
and compared to this 
machine, I was a grotesquery   
spilling over the wires
uncontained, “if you don’t calm 
down, you’ll die”
she said, but I couldn’t
I could only scream and throb
I couldn’t
bring a single ounce of peace
to my sick mind and body
so they brought in more machines
the Mommy machine and the Daddy
machine and all the many Police
and Law and Government machines
who spoke solemn words and locked
me away from the fleshy eyes of man
they carted in a few broken machines
with sharp edges that 
gave out wrong numbers
corrupted the incorruptible numbers
just to see what you’ll do
“It’s all there in black and white” they’ll
say making their own sort of faces
the crowd of machines
all rolled forward to look at my 
roiling body in disgust their sensors shrill and 
angry perhaps it is wrong to think so 
and laughed 
big electrical laughs
that echoed through the empty hospital
hallways and through the damp
dark marrow of my bones

and so

surrounded by every 
machine that ever was
and wasn’t—

I did indeed
die

but my death didn’t stop them
—the Doctor machines
they kept prodding me
the conveyor belt 
of electrical medicine 
proceeded along nicely
the hums and clicks
and whirls replacing
any sound of my respiration
my big wet human noises
now finally silenced

someone explains
the flesh is never allowed
to rest, even when all the 
blood is drained out and the 
veins have burst and the 
flesh is left, quivering

I leaked 
out of my own
gelatinous form
as the incineration
starts to begin

Read more about these poems>>


Christine Kanownik is a writer living in Chicago. She has two books of poetry. HEAD (Trembling Pillow Press, 2018) explores the art and literature of decapitation, and King of Pain (Monk Books, 2016) is a lyric meditation on love and trauma. Her work can be found in such places as FENCE, jubilat, and the Huffington Post.